Preservation Magazine Story knows that Portland is one well-preserved city (guess they missed the recent condo-nation explosion). But we certainly are a city that prides itself on reinvention and realizing the value of history and nostalgia. Some spots that made the cut: Heathman Hotel, St. Johns Bridge, Raven and Rose, Portland's Japanese Garden, The Nines Hotel, Waterfront Park, and BridgePort Brewing Co. You go on with your bad, old selves.
There are some assignments that make me love my job. This one, about Postpartum Depression for the New York Times, was one of those. It was a project that really stayed with me, mostly because of my subject. Jeanne Marie Johnson was so open with me and the writer about something so incredibly personal and difficult. And I clearly wasn't the only one that she moved with her bravery, BuzzFeed listed it as one of their top 9 stories of the week, and the NYT Opinion Page for the NYT was hopping. One of those days when I feel like I may have made a tiny bit of difference in this great big world.
Photographed an amazing story about early onset Schizophrenia that ended up on the cover of the Washington Post. Basically the Behavior Health Services at the PeaceHealth Sacred Heart Medical Center are trying to figure out ways to help teens with signs of Schizophrenia way before they ever have a psychotic episode. The program involves a two-year course of socialization, family therapy, job and school assistance, and sometimes medication. Now some of this may sound super fancy, but what it actually, literally can turn out to be is taking a kid to the music store and talking to him about his day. Crazy, right? The counselor I photographed used his love of music and comic books to connect with his teenage male patients, and as a way to get them out of house and interacting with the world around them. As someone with a psychology degree, I was pretty blown away by the simplistic brilliance of this. It made me realize two things. One, that you can never underestimate the power of human connection, and two, that so many of us just aren't getting enough of it.
Travelled to the wilds of Vancouver, Washington to photograph Recreational Marijuana Mecca New Vansterdam for a Wall Street Journal story about Pot Taxes. At at New Vansterdam, an eighth of an ounce (3.5 grams) of marijuana was going for $87 to $128, two or three times what it costs on the black market! Still, there was a steady stream of customers coming through the store, many who were tourists or who liked the convenience. Located in a strip mall alongside Safeway, RadioShack and Weight Watchers, the space used to be a check cashing spot and felt like it, though the art and the ipad displays helped. It will be interesting to see how taxes play out in Oregon now that weed has been legalized, with Oregon's Economic and Revenue Forecast Council estimating $637 million in taxes and fees for the first five years. That's a lot of overpriced joints.
Those wacky folks over at Artslandia came up with the brilliant idea of inviting the who's who of the holiday stage for one big photo Xmas mashup. And we got to join in. We mixed cocktails for Crumpet from the Santaland Diaries at Portland Center Stage, tempted The Oregon Ballet's Sugar Plum Fairy with cookies (heck no she didn't eat any), helped Lucy string up poor old Charlie Brown from Stumptown Stages and put George Bailey, Scrooge and Kris Kringle through the holiday wringer. Then we just added a little fake snow and blasted the Pandora Holiday station to get everyone in the mood. Talk about a holiday Cornucopia. Someone brought their toddler to the set and I sure that child will never look at Christmas the same way. That's right, changing people's lives with the power of photography. Here's wishing all of you a happy non-secular December and a fabulous 2015.
Photographed Jenn Louis, Chef-Owner of the Lincoln Restaurant and Sunshine Tavern (love me some frozen margarita) for the New York Times Dining Guide United States of Thanksgiving. Okay, I guess I didn't actual photograph her, but rather her cranberries. Cranberry sauce with Pinot Noir to be exact...because it is a plain simple fact that everything tastes better with Pinot Noir. Turns out after doing some serious research that the best way to photograph cranberry sauce is when it is backlit. Otherwise things could go horribly wrong.
So lucky to have the Oregon Symphony as a client. For the last several years we have had the pleasure of getting a behind the scenes view of the whole shebang. This involves going backstage, annoying audience members with shutter noises, climbing tall ladders, hanging with Carlos, that kind of thing. This year's marketing involved capturing the magic of the Schnitz with all its amazing architecture and unique historic details, plus the excitement and anticipation of attending the Symphony. We were pretty excited ourselves to have access to all the little secret spaces the concert hall has, and were kept on our toes by the documentary vibe they wanted.
Got a call from Portland Monthly Magazine to photography Victory Academy, Oregon’s only year-round school for autistic kids. Which left me feeling rather flattered and excited but also nervous as photographing people with Autism can be tricky and amazing and difficult and wonderful. No one yet fully understands why autism spectrum disorder occurs. Those with it often exhibit indifference to social engagements, an intent focus on a single object or subject, repetitive motions like rocking and biting themselves, and difficulty with verbal communication, among other traits. But every child on the spectrum—1 in 68 children, according to the Centers for Disease Control and Prevention—is also distinctly different: some are math geniuses or speed readers, others are unable to utter more than groans.
In my experience, there are many moments of extreme highs and lows when dealing with Autism, and not so much middle ground. Which pretty much summed up my day at the school. Instances of so much unguarded joy and wonder and moments so bittersweet that you immediately burst into tears (ok, maybe that was just me). These were immediately followed by biting and screaming and the incredibly awkward interactions that people on the spectrum are so good at manifesting. I was squeezed, questioned, ignored, hugged, tugged, looked at with great skepticism and with great welcome. It was basically just like being at a family reunion. And that is how Victory shakes out really, you are loved and accepted just the way you are. Or rather I should say; you are loved and accepted especially for the way you are.
Via Magazine recently did a story on Carmen Peirano, the badass heir apparent to Nick's Italian Cafe in McMinnville. Pretty easy to take a good picture when your subject is a gorgeous chef, a cool apron always helps too. Question: How many photos can one take of the same space, using different angles? My answer appears to be at least 4.
As a side note, I am a big fan of downtown McMinnville, it really has that small town, quaint feel, not to mention some great places to eat and shop. Though maybe I'm biased. Carmen also runs a salumeria next door called Fino in Fondo, making Oregon a burgeoning meat empire. I personally just like to say the word salumeria.
I guess it shouldn't come as any surprise that a town bursting with creativity should have such a plethora of performing arts. Singing, acting, dancing, Portland is well, bursting, with it. And for this year's Artslandia Performing Arts Guide, NashCO got up close and personal with quite a few of them. We decided it would be cool to craft behind-the-scenes looks for each of the groups we photographed. Which sounds so easy, right? Notice I said craft, not capture. Turns out, creating images that look happened upon is a hell of a lot harder than just happening upon them. But then again they are lit a lot better too. I think I could literally feel my brain working at each assignment: location scouting, art directing, people directing, and then of course, actually pushing the shutter. Let's just say this project taught us a lot about how to bring an editorial vision to life. Turns out the answer is gesticulating, lots of gesticulating. And duct tape. And bourbon.
I first met wild food expert John Kallas through a friend several years ago. That is how I found myself up at 6am on a Saturday morning at the Oregon coast, digging for steamer clams. John has a year-long calendar of events that pit you against nature and have you come out the well-fed victor. Classes with titles like, "Wild Foods From Dirt to Plate," "Sea Vegetables of the Pacific Coast," and most recently, "Acorn Pudding." So with adventures like that, you can understand why I've been dying to do a story on him. Now just needed to find a wordsmith and well, a publication. Ah, technicalities. Luckily the plucky Deena Prichep was able to supply both and got National Public Radio's The Salt to come along for the ride. We spent the day watching, shooting and interviewing as John took a group of folks from Acorns to Pudding. Apparently this involves lots of grinding, lots of leaching and lots of sugar. The result was warm, sweet, and porridge-like.
Those squirrels had no idea.
Spent a day with Kevin Atchley, co-owner of Portland’s Pine State Biscuits and his lovely gal Laleña Dolby, communications director at Zenger Farm, photographing their adorable pad for Oregon Home Magazine. At only 690-square-foot the duo worked wonders making the place magazine worthy (literally). Think reclaimed wood and thrift stores finds plus a knack for putting pieces together in a way that is both beautiful and original (now why didn't I think of that...). We finished off the day with a little bourbon and gossip and voila, we now feel lucky to call the couple friends.
We recently photographed Portland investor Stan Rosenfeld for Charles Schwab's high end investor magazine Onward. Stan is amazing, he still does everything the old fashioned way, with pen and paper. For the shoot we purchased a large piece of 1/8 inch clear plastic and hung it with C-stands inside the studio to get the handwritten "script" for the story headline. We opted to do this in camera, rather than in post to make it look more authentic. We redid it so many times I felt like I was back in cursive writing class. We also had Stan write some equations and stock lingo on the board to fill in the negative space and give it a bit more personality. No stock tips though.....
Somewhere along the line I have become the de facto, "Portland food, lifestyle and travel" photographer for the New York Times. And if you've read the NYT lately, you realize that is a job that keeps me rather busy. People in Portland now joke about it, when I mention who I'm working for, "Oh, man, they are doing another story about us?" is the response I get. And I understand that. Sometimes I feel that living the good life Portland is a secret I'd rather not share. Unfortunately, I think the cat may be out of the bag. Damn you, Fred and Carrie. Below are some outtakes from a recent Urban Wineries shoot I did for the paper which included stalking the tannin soaked halls of the Southeast Wine Collective, Clay Pigeon Winery, ENSO Urban Winery and Tasting Lounge, and Sauvage at Fausse Piste. Gotta love that urban terroir.
Spent the first weekend of August how we always do, photographing the amazingness that is Pickathon, a four-day music festival located on the 80-acre Pendarvis farm in Happy Valley, just about 30 minutes outside of Portland. Now in its 16th year with six, count them...six, different music venues, the festival focuses on sustainability and the best part is they have eliminated single use cups, bottles, dishes and utensils and been plastic free since 2010! This year, the New York Times decided to stop by and get in on the West Coast love and being so gracious, we decided to join them.
Ate some great food, did a little dancing, saw more incredible acts then we could mention, though here is a feeble attempt....The Sadies, Nickel Creek, Mac DeMarco, Diarrhea Planet, Possessed By Paul James, Valerie June, The War On Drugs, Blind Pilot and even managed to take a photo or two.
If you had asked me two months ago what my thoughts were about Seaside, OR the three words that would have come to mind were....bumper cars, salt water taffy, and tacky. Well, turns out only two of those were right. Was there photographing for 1859 Magazine and I'm not quite sure what happened, but Seaside sure has changed its ways. Now I'm not saying they have gotten rid of the dreamsicle taffy, the 80-year-old aquarium, or the mechanical great white shark, but the town has a new vibe. Seaside Brewing Co.has popped up, in, of all places, the old 1914 city jail. The Promenade is looking rather spiffy and goes for miles. Maybe it's the new obsession with all things old, or my love of a gold Trans Am but suddenly tacky is looking rather fab. Or maybe that's just the $1 jello shots from Big Kahuna Bar and Grill talking.
Spent the day playing with vials, beakers and all things science for our Cover Shoot for EdTech Magazine with 2013 National Teacher of the year, Jeffrey Charbonneau. The Science and Engineering teacher graces the halls of Zillah High School, the very same school he graduated from. Talk about your high school flashbacks. At least he knows all the good make out spots. Seriously though, as we roamed the halls with Jeff, he got a greeting or a hug from almost every student we passed. Coming from a family of teachers, I know they don't always get their due. Glad in the case of Jeffrey, someone noticed.
Last fall Christopher Onstott, Jan Sonnenmair and I all banded together to shoot a little NW soccer action for the New York Times Travel Section. Those Timbers Fans are not messing around. Many of them slept in line overnight to be the first ones in the stands. Not to mentions the costumes, the Timbers Army, the green smoke and those ubiquitous scarves. In some ways the fans are way more interesting to watch than the soccer itself (and way more fun to photograph). The game we shot they ended up beating the Sounders 1 to 0, which means the green smoke was flying. In a city with not a ton of professional sports options (and the Blazers will break our hearts every time) and not a ton of what I would call your typical sports fan, it is so amazing to see Portland rally around soccer.
Love the bounty of good eating that is Portland. Roe, Catagna, Ava Gene's are all vying for most buzz in the city these days (case in point, I have photographed all of them at least twice). But there are a plethora of others out there for those of us that hate waiting in line. So many choices in fact that it is nice that Willamette Week's Restaurant Guide helps narrow things down (or maybe simply make you aware of all the possibilities). Now go forth and chew.
With just 10 stools and a rented kitchen, Will Preisch presents a pop-up vision of high-end eating: casual, personal, and thrilling. Want to make it to one of these amazing feasts? Called holdfast dinners, Will describes them as such, "holdfast is a “pop-up” restaurant operating out of kitchencru, a commissary kitchen and culinary incubator in nw portland. holdfast is a refined dining concept - not refinement in the sense of luxury - just pared down to what we consider to be the essentials of a wonderful meal; great food and drink, with excellent and unobtrusive service in a casual atmosphere. this is our opportunity to cook and feed people outside of the trappings of a traditional restaurant. clean. thoughtful. primitive. modern." Looked pretty delightful to me, and Portland Monthly.