The Wall Street Journal asked me to photograph local business owner and motorcycle enthusiast Tom Daly for a series called Faces of the Affordable Care Act. Tom represents The 'Young Invincible,' who is interested in health insurance, but decided it was too expensive. However, his new motorcycle habit, impending marriage and recent status as homeowner have made him rethink this opinion. Adulthood will do that to you I guess.
Portland News Photographer
Joan Rideout Ayala has a dual diagnosis of mental illness and addiction. Now an addiction counselor herself, has learned coping skills to help end her addiction and cope with her mental illness. We spent some time with Joan at home and at work for an editorial video and photo assignment for a USA Today for a project called The Cost of Not CarIng, a series that explores the human and financial costs the country pays for not caring more about the nearly 10 million Americans with serious mental illness. Powerful stuff.
Travelled to the wilds of Vancouver, Washington to photograph Recreational Marijuana Mecca New Vansterdam for a Wall Street Journal story about Pot Taxes. At at New Vansterdam, an eighth of an ounce (3.5 grams) of marijuana was going for $87 to $128, two or three times what it costs on the black market! Still, there was a steady stream of customers coming through the store, many who were tourists or who liked the convenience. Located in a strip mall alongside Safeway, RadioShack and Weight Watchers, the space used to be a check cashing spot and felt like it, though the art and the ipad displays helped. It will be interesting to see how taxes play out in Oregon now that weed has been legalized, with Oregon's Economic and Revenue Forecast Council estimating $637 million in taxes and fees for the first five years. That's a lot of overpriced joints.
I guess it shouldn't come as any surprise that a town bursting with creativity should have such a plethora of performing arts. Singing, acting, dancing, Portland is well, bursting, with it. And for this year's Artslandia Performing Arts Guide, NashCO got up close and personal with quite a few of them. We decided it would be cool to craft behind-the-scenes looks for each of the groups we photographed. Which sounds so easy, right? Notice I said craft, not capture. Turns out, creating images that look happened upon is a hell of a lot harder than just happening upon them. But then again they are lit a lot better too. I think I could literally feel my brain working at each assignment: location scouting, art directing, people directing, and then of course, actually pushing the shutter. Let's just say this project taught us a lot about how to bring an editorial vision to life. Turns out the answer is gesticulating, lots of gesticulating. And duct tape. And bourbon.