Preservation Magazine Story knows that Portland is one well-preserved city (guess they missed the recent condo-nation explosion). But we certainly are a city that prides itself on reinvention and realizing the value of history and nostalgia. Some spots that made the cut: Heathman Hotel, St. Johns Bridge, Raven and Rose, Portland's Japanese Garden, The Nines Hotel, Waterfront Park, and BridgePort Brewing Co. You go on with your bad, old selves.
portland travel photography
You can find just about anything you would want and nothing you would need on Mississippi Street in Portland. But New York Times writer Julie Lasky says it so much better than we ever could, "North Mississippi Avenue in Portland delivers a hipster experience as reliably as the rain. The street’s commercial district, which runs five blocks from North Fremont Street up to North Skidmore Street, has coffee-roasting equipment, saltwater aquariums, chandeliers made with recycled wine bottles, jewelry cast from animal sex organs and possibly the best corned beef hash ever fried."
Thanks to all the businesses that contributed their design sensibilities: Sunlan (who was ironic before it was cool), Mr. Green Beans, Land Gallery, Flutter, Gravy, Paxton Gate, Mississippi Avenue Lofts, Silver Moon Creperie, The Big Egg, Prost!, and The John Palmer House. One thing's for certain, it's not easy being hip, but you do it with aplomb. And a beard.
Somewhere along the line I have become the de facto, "Portland food, lifestyle and travel" photographer for the New York Times. And if you've read the NYT lately, you realize that is a job that keeps me rather busy. People in Portland now joke about it, when I mention who I'm working for, "Oh, man, they are doing another story about us?" is the response I get. And I understand that. Sometimes I feel that living the good life Portland is a secret I'd rather not share. Unfortunately, I think the cat may be out of the bag. Damn you, Fred and Carrie. Below are some outtakes from a recent Urban Wineries shoot I did for the paper which included stalking the tannin soaked halls of the Southeast Wine Collective, Clay Pigeon Winery, ENSO Urban Winery and Tasting Lounge, and Sauvage at Fausse Piste. Gotta love that urban terroir.
Spent the first weekend of August how we always do, photographing the amazingness that is Pickathon, a four-day music festival located on the 80-acre Pendarvis farm in Happy Valley, just about 30 minutes outside of Portland. Now in its 16th year with six, count them...six, different music venues, the festival focuses on sustainability and the best part is they have eliminated single use cups, bottles, dishes and utensils and been plastic free since 2010! This year, the New York Times decided to stop by and get in on the West Coast love and being so gracious, we decided to join them.
Ate some great food, did a little dancing, saw more incredible acts then we could mention, though here is a feeble attempt....The Sadies, Nickel Creek, Mac DeMarco, Diarrhea Planet, Possessed By Paul James, Valerie June, The War On Drugs, Blind Pilot and even managed to take a photo or two.
Had the opportunity to photograph for The Trust for Public Land this year. TPL is a U.S. national, nonprofit organization that conserves land for people to enjoy as parks, gardens, natural areas and open space. And who doesn't think that is pretty awesome? We were tasked with documenting Colwood Park, a golf course that it reinventing itself, and Nadaka Nature Park, a former Camp Fire Girl spot. So we gathered a group of intrepid volunteers and let them run free, literally.
Ah The Finder. Willamette Week's annual guide to all that is irreverent in Portland. Free in the warmer months, you can now get them for 5 bucks at Powell's. In it you can find tourist-worthy things like, best drinkable dirt, best gypsy cemetery, best survival kit, and best Tarantino set. I love assignments where my shot list includes things like tire swings, and urban goats. If you look really closely you can see my better half, Christopher Onstott, making a cameo in two of the images. It's like a post-modern Where's Waldo.